the how's and why's of indie film production
Its on vimeo check it out
For this version we’ve added stills and images under the title to really give a sense of the fast pace of the film, though the stories are sedentary, they’ve been cut together in a way that captures the speed and pace of a city like Dublin, which can be slow and rapid at the same time.
There’s also a new poster for the film:
our new website has lots of neat stuff, like 2 of our short films in glorious high definition and trailers to our two features
check it out: i-Wire Films
This is good news for us! The film is now available on iTunes across the planet (except in Ireland! will anyone in our home country ever see our film?).
For those following our efforts of self distribution, the film is now available via the following means:
From all of these sources, plus the TV sales, we’re going to return a good chunk of money. It hasn’t been easy. No above the line people were paid (apart from the actors) but that is how it is for independent film today. Its ALL ABOUT self distribution. You can’t afford sales agents or theatrical release or even DVD. For our future projects we’re not going to try and find a sales agent, its going straight to VOD. It’s the future – plain and simple.
Well it finally happened, after a long wait iTunes finally pushed the big red button and put Satellites & Meteorites live on their US, Canadian and New Zealand stores. Why these 3? Who knows. Their logic is sometimes an enigma. Have we got any sales yet? Yes, actually. The first sale was made very shortly after the film went live, which is great, and no, we don’t have access to the film yet in Ireland so it wasn’t any of us who bought it (we most certainly would have).
US link here and Canadian link here.
Screenshot below, thanks to everyone at Indieflix (especially Afi):
Its in full swing over at www.facebook.com/dublininpieces
You can see photos like the one below and other info. Check it out!
So we finally finished filming last Friday. Yipee. Now the edit starts, slowly but surely. Aiming for festivals in the fall. Race is on.
Trailer here:
so off we go again, spending more time and money making a film that very few people will see, right? WRONG. we’ll make virtually no money out of this latest venture (the title of which we be shortly revealed) but it will find a huge audience through film festivals, online and self distribution channels. it will likely not end up in the cinema or on tv. it will likely never be front and centre at hmv. but it will make people smile, lurch, cry and vomit (well, hopefully not vomit) all across the world, in many different languages. it has been great fun making it and it will be great fun finishing it. everybody wins.
on this the day that Hulu told our US distributor that they do not want Satellites and Meteorites on their service and were hence passing on it. This irks us quite a bit, not because of the lost revenue (virtually zero) but because there is a tremendous amount of crap on Hulu, and our film is much better than a lot of it, its done better both critically and commercially, but it seems that Hulu still only add a very small amount of real indie content (i.e. content that is not marketed as indie film by huge distribution companies). down with hulu for this kind of thing, really. we’re glad that over 15 million people disagree with their decision 
(that’s the cumulative audience figure for the film from 10 territories).
It seems from reading the news this morning that DVD is dead. Everyone from Sony to Google to Amazon are planning to launch a VoD service in the next few months, all to try and catch up to iTunes, which has quietly made itself a massive all conquering media giant while the others were asleep at the wheel.
This almost undoubtedly is the beginning of the end for DVD and that is a great thing for filmmakers. Personally, we have to admit to loving the idea of DVD’s, the look of them stacked neatly, the genuine pleasure of ripping open the plastic and shoving it into the player, waiting for that joy of cinema that is so unique to erupt on the screen. We felt the same way about film and then we used a RED camera and got the hell over it.
DVD disappearing is great because it means the very last cost barrier to entry for filmmakers will be destroyed. First it was production, then post production and now distribution. Slowly but surely it is becoming insanely cheap to make a film and success now depends more and more on story and a filmmakers ingenuity when it comes to finding an audience. So go celebrate and start coming up with ideas as to how to market your film to an ever expanding online audience.
One idea we heard of recently (which we think is great) is a guy who projected his film (illegally) on to the side of a large industrial building in the middle of his town. Over a thousand people turned up to watch it. Maybe he didn’t make anything out of it, but a butt load of people saw it. Get your thinking cap on!
quite happy to report today that upon opening my personal email account I received this:
You will notice that our little indie film is front and center, which is nice! We didn’t have to pay for this and can only assume that the suggestions are based on previous purchases of mine (I didn’t purchase Satellites & Meteorites from Amazon, in case you’re wondering, because as described earlier the royalties aren’t great).
Hopefully thousands of others received the same email this morning and will head in their droves to make a purchase. Safe to assume its fairly unlikely, but still, we hope. Anyway, thanks Amazon.com for getting your finger out and trying to sell some indie stock. Good to see somebody is trying!
